“Perhaps with the most diverse range, Wyn

Roberts stretches those soprano notes

across a unique spread of various love songs” 

Robert Hugill, Planet Hugill

“A delightful Meinir Wyn Roberts captures this almost other-worldly aspect of the relationship, balancing idealistic passion with darker introspection. The Welsh soprano gives us some thrilling singing particularly the emotional crescendos.”

OperaScene UK

“And the cast? Well, Roberts made a touching Magda, with a generous sound that twined itself around Joseph Buckmaster’s tenor in their love duets (he was her toyboy, Ruggero), making the whole ensemble light up.”

Richard Bratby Spectator

“Perhaps with the most diverse range, Wyn

Roberts stretches those soprano notes

across a unique spread of various love songs”

Robert Hugill, Planet Hugill

“A delightful Meinir Wyn Roberts captures this almost other-worldly aspect of the relationship, balancing idealistic passion with darker introspection. The Welsh soprano gives us some thrilling singing particularly the emotional crescendos.”

OperaScene UK

“And the cast? Well, Roberts made a touching Magda, with a generous sound that twined itself around Joseph Buckmaster’s tenor in their love duets (he was her toyboy, Ruggero), making the whole ensemble light up.”

Richard Bratby Spectator

“Making their debut with the company are Welsh soprano Meinir Wyn Roberts (at her most passionate and virtuosic in Donizetti’s So anch’io la virtù magica)” 

The Scotsman

“Meinir Wyn Roberts sang with such a vibrantly characterful sense of line, that Agilea was positively transformed. Wyn Roberts was always highly expressive.”

Planet Hugill

“For her part, Wyn Roberts performs an optimistic aria from Charles Gounod’s Roméo et Juliette with a delightful lightness of expression. Her vocalisation is cheerful, as the piece requires, but also impressive, particularly at the top of her range.”

The National

"Meinir Wyn Roberts made a lovely Magda, in Act One she projected enough sense of being strongly grounded to suggest her character being somewhat older than the people around her. Her contribution to the song about Doretta in Act One (begun by Ryan Vaughan Davies' Prunier) was beautifully done, but it was as the opera progressed that Wyn Roberts really let rip and brought out the vibrant passion in Puccini's lovely melodies. Throughout she was poised and in control, just as you felt Magda should be. This was no damaged flower, but a woman with a definite view of her destiny."

Robert Hugill, Planet Hugill

“For the tour, including this concert, the operatic superstar at the pinnacle of success was joined by rising young singer Meinir Wyn Roberts who, while already attracting strong reviews for her performances elsewhere (see the review of the soprano singing Magda in La Rondine at If Opera on this site, for example), was possibly a relatively new face (and voice) for the Cardiff audience. The singer’s confidence and stage presence were as impressive as her vocal thrills.”

Art Scene Wales